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						Sample  : Ethonology/History, Fine Arts/Decorative Arts, Science/Technology  Jacques Hurtubise, © SODART; TOUTE REPRODUCTION INTERDITE / ALL REPRODUCTIONS PROHIBITED
         
            
               | Field Name | Value |  
               |  |  |  
               | Institution | Leonard & Bina Ellen Art Gallery |  
               | Accession Number | 998.10 |  
               | Discipline | Fine Arts |  
               | Object Category | Fine Arts |  
               | Object Sub-category | Painting |  
               | Object Name | painting |  
               | Object Type | polyptych |  
               | Quantity | 1 |  
               | Component Part Names | panel (9) |  
               | Number of Components | 9 |  
               | Artist/Maker | Hurtubise, Jacques |  
               | Title | Rosa Rose |  
               | End Date | 1974 |  
               | Period | 3rd quarter of the 20th century |  
               | Unit Linear | cm |  
               | Height | 183 |  
               | Width | 183 |  
               | Medium | acrylic |  
               | Support | canvas |  
               | Signature | Hurtubise 74 |  
               | Inscription | © |  
               | Subject/Image | abstract |  
               | Description | The work is an abstraction done on nine square canvases fixed together into one large, square polyptych. The three component
                  panels of the upper and middle rows carry angular, horizontally oriented, colored forms that are loosely grouped into three
                  jagged bands. The three panels of the bottommost row show vertical drips of color: green, yellow, white, and red. Red and
                  pink, set against a black ground, are the predominant colors of the work. |  
               | Narrative | Rosa Rose is a painting situated within a body of work begun in the early seventies wherein the artist began using small
                  square canvases locked together to form a grid-like construction. A departure from the serial geometric patterns of the late
                  sixties, these new works provided a means for the artist to explore a different constructive approach. Organizing his canvases
                  by restructuring individual units allowed the work to evolve in a more controlled and less random manner. By the end of the
                  decade Hurtubise's investigations of what has been described as the "controlled accidents" of paint led to greater exploration
                  of movement and gesture, anticipating the later rippled surfaces which have become prominent in our understanding of this
                  artist's oeuvre. |  
               | Originating Continent | North America |  
               | Originating Country | Canada |  
               | Originating Province | Quebec |  
               | Culture | Canadian |  |